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šƒvƒŒƒCƒOƒ‰ƒEƒ“ƒh
@ŽR‰Ί—m•γ(p)E¬ΌN(bEel-b)E–x‰z²(ds)E—Ρ‰hˆκ(as)E‹e’n¬E(ts)
@92”N/ƒ|ƒŠƒh|ƒ‹
šDETTARAMEN
a‚³’m‚ηƒY
@•s”j‘ε•γ(D'st.Eb)E‰Α“‘’”V(g)EŸˆδ—S“ρ(vln)E•ΠŽRL–Ύ(ts)E—Ρ‰hˆκ(as)EL£~“ρ (tsEss)E
ς–MG(as)E–k—zˆκ˜Y(tp)E‰Τ“‡’ΌŽχ(bcl)EƒqƒSEƒqƒƒV(b)E‘εΐŽu˜N(ds)E@CŽi (ds)EˆΙ‹½rs (v)E
ƒnƒ‹‹{‘ς(g)EΒρ–η(key)E‹ΰŽq‚’‚Έ‚έ(key)E’ί“cΉŽq(key)EŠβŠΩ—m(as)E“ϊ‰Ί•”ˆΐG(as)E‘–쑏(ts)E
––L—ζŽq(ts)E—ι–ؐV(ss)EΞμ”J(tp)E––LCˆκ(tp)E•ΠŠL‘ε—m(perc)E‹g“c‚έ‚Ω(perc)
@93”N/’n’κƒŒƒR|ƒh
š—§‰ΤŽ‚Μ—§‚Ώ˜bƒZƒbƒVƒ‡ƒ“ _–³ŒŽ
@—§‰Τ‘Χ•F(b)Ea’J‹B(p)E—Ρ‰hˆκ(as)E•ΠŽRL–Ύ(ts)E—§‰Τ‚ά‚δ‚έ(cello)EŒΓΰV—ΗŽ‘˜Y(ds)E¬ŽR²‘Ύ(ds)
@93”N/BEGO
šƒ}ƒi
@XŽRˆΠ’j(ds)E”Β‹΄•Ά•v(p)E—Ρ‰hˆκ(as)Eˆδγi•F(tsEss)E‹g–μOŽu(b)
@94”N/Japan Record
š“ψ‚Μ”ή•ϋ‚Ι
@XŽRˆΠ’j(ds)E”Β‹΄•Ά•v(p)E—Ρ‰hˆκ(as)Eˆδγi•F(tsEss)E‹g–μOŽu(b)
@94”N/Japan Record
šƒIƒŠƒGƒ“ƒ^ƒ‹EƒGƒLƒXƒvƒŒƒX
‚£ƒAƒLEƒZƒvƒeƒbƒg
@‚£ƒAƒL(pAcom.Aarr.)EŒά\—’ˆκΆ(tp)E—Ρ‰hˆκ(asAss)E•ΠŽRL–Ύ(tsAbs)A”Β’J”Ž(tb)E¬ŽR²‘Ύ(ds)Aˆδ–μM‹`(b)
@94”N/ƒI|ƒ}ƒKƒgƒL
šTHE DAWN
@‹v•Ϋ“‡’ΌŽχ(p)E“‘θ—rˆκ(b)E“‘ˆδM—Y(ds)E—Ρ‰hˆκ(as)
@95”N/TREE ISLAND
šƒsƒAƒmEƒNƒCƒ“ƒeƒbƒgEƒXƒC|ƒg
@‘吼‡Žq(p)Eƒ}|ƒJƒXEƒxƒ‹ƒOƒŒƒCƒ”(tpEvo)E—Ρ‰hˆκ(as)Eƒƒhƒj|EƒEƒBƒeƒJ|(b)Eƒgƒj|Eƒ‰ƒxƒ\ƒ“(ds)
@95”N/“ŒŽΕEMI
š‹ί“‘–[”V•rough mixed
@‹ί“‘–[”V•(voEgEharp)EƒS|ƒhƒ“EƒGƒhƒ|ƒY(b)E¬“‡—ΗŠμ(pEkey)E³–ΨŒά˜Y(ds)EŽRŠέŽj(g)EΌμƒˆκ˜Y(g)E
•ΠŽRL–Ύ(sax)E—Ρ‰hˆκ(sax)EΞμ“ρŽO•v(harp)
@95”N/ROOMS RECORDS
š‚­‚ι‚έ‚³‚ρ
@΄…‚­‚ι‚έ(p)E₯ˆΐ‘₯Ž(b)E–]ŒŽ‰p–Ύ(b)E“‘ˆδM—Y(ds)E’ΓγŒ€‘Ύ(asEss)E—Ρ‰hˆκ(as)EŽODŒχ˜Y(g)
@95E96”N/AKETA'S DISK
šƒnƒŒƒ‹ƒ„
CRISS CROSS
@ŽsμC(p)E‘DŒΛ”ŽŽj(b)E“oŒhŽO(ts)EŒυ“cb(ds)E—Ρ‰hˆκ(as)
@96”N/AZ Records
šLive in Japan '96
Berlin Contemporary Jazz Orchestra
@ƒg|ƒ}ƒXEƒwƒxƒ‰|Aƒwƒ“ƒŠ|EƒƒEƒT|AƒAƒNƒZƒ‹Eƒhƒi|AŒά\—’ˆκΆAƒ}|ƒNEƒ{ƒN|ƒ„Aƒ||ƒ‹Eƒ‰ƒUƒtƒH|ƒhA
ƒƒ‹ƒ^|EƒEƒB-ƒ‹ƒ{ƒXA²“‘tŽχAƒƒ‹ƒ^|EƒKƒEƒVƒFƒ‹AƒGƒ”ƒ@ƒ“Eƒp|ƒJ|AƒQƒ‹ƒgEƒfƒ…ƒfƒbƒNAƒ‹ƒfƒBEƒ}ƒn|ƒ‹A
—Ρ‰hˆκA•ΠŽRL–ΎAƒAƒŒƒLƒTƒ“ƒ_|EƒtƒHƒ“EƒVƒ…ƒŠƒbƒyƒ“ƒoƒbƒnA‚£ƒAƒLAˆδ–μM‹`Aƒ||ƒ‹Eƒ-ƒ”ƒFƒ“ƒX
@96”N/disk union
šFly Me To The Moon
Žπˆδr
@Žπˆδr(vo)E•ΠŽRL–Ύ(tsEbs)E‹g‘ςρ(pEtpEmoog)E•Δ–؍NŽu(b)E‚Β‚ΜŒ’(dsEperc)EŒαΘŒυ—Η(g)Et“ϊ”Ž•Ά(g)E—Ρ‰hˆκ(as)
@97”N/SS label
šINSTANT GROOVE
@•ΠŽRL–Ύ(ts)E—Ρ‰hˆκ(as)E‹{–μ—TŽi(as)E”~’Γ˜aŽž(asEbcl)E‘μŠx°(b)E–FŠ_ˆΐ—m(ds)E‰Α“‘’”V(gEashEtray)E“‘ˆδ—S“ρ(vln)E
•s”j‘ε•γ(b)E‘εΐŽu˜N(ds)EΞ“n–ΎœA(g)Eˆδ–μM‹`(b)E‚Β‚ΜŒ’(ds)
@97”N/Natya
š–Ύ“cμ‘‘”V &•z’c
@–Ύ“cμ‘‘”VE‹{–μ—TŽiE—Ρ‰hˆκE‘εŒ΄—TEŠΦ“‡Šx˜YE’†”φŠ¨“ρ
@99E00”N/Meta‰ΤŠͺƒAƒPƒ^
š‚ ‚’‚ ‚ή‚δ‚€
Žπˆδr
@Žπˆδr(vo)E‹S“{–³ŒŽ(gEel-gEukuleleEvo)Eχˆδ–FŽχ(gEel-gElap steel gEmandolinEbouzoukiEvo)E—Ρ‰hˆκ(as)E
–FŠ_ˆΐ—m(ds)E‘Ύ“cŒbŽ‘(vlnEvo)E•“c‹žŽq(p)E’|“ΰ’Ό(tsEfl)EŠΦ“‡Šx˜Y(tuba)
@99E00”N/’n’κƒŒƒR[ƒh
š‰ΉŽO–†‚P`¬ŽR²‘Ύƒfƒ…ƒIW
@¬ŽR²‘Ύ(ds)Eβ“c–Ύ(as)EŽR‰Ί—m•γ(p)E—Ρ‰hˆκ(sax)Eš ’‡Ÿ’j(b)EˆδγŒhŽO(cl)
@99E00”N/‚¨[‚η‚’ƒŒƒR[ƒh
š“Vγ‚Μ–²
ƒLƒviQuipuj
@‘O“c—SŠσ(vo)EShezoo(p)EΒ–Ψƒ^ƒCƒZƒC(ebEtb)E‰ͺ•”—mˆκ(perc)E—Ρ‰hˆκ(sax)
@01”N/‚¨[‚η‚’ƒŒƒR[ƒh
škowloon
‘μŠx°
@‘μŠx°(bassEsazEkalimbaEdarbukaEbellsErhythm programming)E“n•Σ—²—Y(trumpet)E
—Ρ‰hˆκ(alto saxophone)E—ΐμŒhŠξ(cello)E“‘ˆδM—Y(drums)EŠΦͺ^—(drums)E‹g“c’B–η(drums)
@02”N/ƒXƒ^ƒWƒIEƒEƒB[
šƒGƒbƒZƒ“ƒVƒƒƒ‹EƒGƒŠƒ“ƒgƒ“/ƒAƒCƒ‰ƒ“ƒhEƒ”ƒ@[ƒWƒ“
@a’J‹B(ƒsƒAƒm)E•τŒϊ‰ξ(ƒeƒi[ƒTƒbƒNƒX)E Ό•—zˆκ(ƒAƒ‹ƒgƒTƒbƒNƒXEƒoƒŠƒgƒ“ƒTƒbƒNƒXEƒtƒ‹[ƒgEƒNƒ‰ƒŠƒlƒbƒg)EŠΦ“‡Šx˜Y(ƒ`ƒ…[ƒo)E—Ρ‰hˆκ(ƒAƒ‹ƒgƒTƒbƒNƒX)EŠOŽR–Ύ(ƒhƒ‰ƒ€ƒX)
@05”N/MUZAK
š—†ωŠK’i‚Θ“ϊν
‚Ύ‚’‚Ύ‚η‚Ϊ‚Α‚Ώ@Žπˆδr
@ŽπˆδrE —Ρ‰hˆκE“c’†M³
@12”N/‚Ϊ‚Α‚­‚η‚κ‚±[‚Η