‚SDŠCŠO‡¥ƒIƒ€ƒjƒoƒX
No. | CDƒ^ƒCƒgƒ‹ | ‰‰‘tŽÒ–¼ | ŽwŠöŽÒ | ì‹ÈŽÒ | ‚b‚cÚ°ÍÞÙ | ”õl |
1 | A Portrait/Chanticleer | Chanticleer | J.Tavener ‘¼ | Teldec | ||
2 | Treasures | Peninsula Women's Chorus | Patricia Hennings | T.L.de Victoria ‘¼ | Mark Custom | |
3 | Brilliant Journey | Taipei Male Choir | Tang Tien-ming | F.Poulenc ‘¼ | ÌßײÍްĔŠ| |
4 | Taipei Male Choir 10Žü”N‹L”O‰‰‘t‰ï | Taipei Male Choir,Renner Ensemble Regensburg | Tang Tien-ming‘¼ | M.Reger ‘¼ | ÌßײÍްĔŠ| |
5 | World Youth Choir Best Selection | World Youth Choir | T.Kaljuste ‘¼ | V.Tormis ‘¼ | ƒuƒŒ[ƒ“ | |
6 | World Youth Choir 1997 | World Youth Choir | “c’†Mº@‘¼ | M.Schafer ‘¼ | ƒuƒŒ[ƒ“ | |
7 | World Youth Choir 2000 | World Youth Choir | P.Erdei ‘¼ | E.Whitacre ‘¼ | WYC | |
8 | World Youth Choir 2002 | World Youth Choir | T.Kaljuste ‘¼ | R.Cayabyab ‘¼ | WYC | |
9 | From German Churches | ‘åãʲÝد˥¼¯Â‡¥’c | “–ŠÔCˆê | J. des Pres ‘¼ | OCM | |
10 | Best of the best | Ateneo de Manila College Glee Club | J.Velasco ‘¼ | C.Cayabyab ‘¼ | ÌßײÍްĔŠ| |
11 | Ateneo de Manila College Glee Club | Ateneo de Manila College Glee Club | J.Velasco ‘¼ | F.Eeliciano ‘¼ | JB music | |
12 | EXAUDI | Exaudi Chamber Choir | M.Felicia Perez | G.Lopez-Gavilan‘¼ | PROPHONE | |
13 | Canteme | Schola Cantorum Coralina | Alina Orraca | UNICORNIO | ||
14 | Schola Cantorum Coralina | Schola Cantorum Coralina | Alina Orraca | Cinquillo | ||
15 | Cantos de la Misa del Papa | Schola Cantorum Coralina | Alina Orraca | Rodrigo Prats ‘¼ | BMG | |
16 | Ngiele¥Ngiele | Choeur la Grace | Kua Nzambi-Toko | SACEM | ||
17 | Sermons & Devotions | The King's Singers | H.M.Gorecki ‘¼ | BMG | ||
18 | The Best of Manhattan Transfer | Manhattan Transfer | ¸ÞÚÝ¥Ð×°@‘¼ | ATLANTIC | ||
19 | Our Heart's Joy | Chanticleer | J.Mouton ‘¼ | Chanticleer | ||
20 | Nothing but | The Real Group | A.Edenroth ‘¼ | CAPRICE | ||
21 | Love Tracks For You | Native Tongues | B.E.King ‘¼ | KING | ||
22 | ƒRƒ“ƒT[ƒgEƒRƒŒƒNƒVƒ‡ƒ“ | The King's Singers | E.Grieg ‘¼ | ÌßײÍްĔŠ| ||
23 | Kamer¥¥¥Dawn is breaking | Altera Veritas Ensemble | Maris Sirmais | E.Esenvalds ‘¼ | Quartz | |
24 | Into the Light | Christ Church Cathedral Choir | F.Burgomaster | Bruckner ‘¼ | FOUR WINDS | |
25 | Furusato | Banchieri Singers,Cantemis Children's Choir ‘¼ | Denes Szabo | ŠÔ‹{–F¶@‘¼ | HARMONIA | |
26 | Living Bread | Truro Cathedral Choir | Robert Sharpe | G.P.da Palestrina‘¼ | ‚k‚‚‚‚‚“ | |
27 | ¢‹I™B¥2003-2011 | ‘ä–k¢‹I‡¥’c | ’—핪 | E.Whitacre ‘¼ | ÌßײÍްĔŠ| |
28 | 21¢‹I¸‘I | ‘ä–k¢‹I‡¥’c | ’‰_g | Foster ‘¼ | ÌßײÍްĔŠ| |
29 | El canto quiere ser luz | Chamber Choir Entrevoces | Digna Guerra | Wilma Alba Cal ‘¼ | MDG | |
30 | Reflections/Chanticleer | Chanticleer | G.P.da Palestrina‘¼ | TELDEC | ||
31 | Choral Highlights 2017 | Oxford Choral | B.Chilcott | B.Chilcott ‘¼ | Oxford | |
32 | Folks & Tales | Amarcord | B.Englbrecht ‘¼•Ò | RAUMKLANG | ||
33 | Poetry in Music | The Sixteen | Harry Christophers | Britten, Pearsall‘¼ | CORO | |
34 | Choral Highlights 2019 | Oxford Choral | B.Chilcott | E.McGrath ‘¼ | Oxford | |
35 | The Call/More choral classics from St.John's | Choir of St.John's College, Cambridge | A.Nethsingha | G.Rossini ‘¼ | CHANDOS | |
36 | Bluebird/Music of Contemplation | The Choir of New College Oxford | E.Higginbottom | C.Stanford ‘¼ | DECCA | |
37 | After Silencei‚Q–‡‘gj | Voces8 | Barnaby Smith | C.Monteverdi ‘¼ | Voces8 RECORDS | |
38 | Choral Highlights 2020 | The Oxford Choir | B.Chilcott | C.McDowall ‘¼ | Oxford | |
39 | An Enduring Voice iƒ`ƒ…[ƒ_’©‚Æ20&21¢‹I‚Ì–¼‹Èj |
The Sixteen | Harry Christophers | J.Tavener ‘¼ | CORO | |
40 | Pearls of traditional music | Academy of Choral Art Moscow | Viktor Popov | Russian folk song | CLASSART | |
41 | ||||||
42 | ||||||
43 | ||||||
44 | ||||||
45 | ||||||
46 | ||||||
47 | ||||||
48 | ||||||
49 | ||||||
50 | ||||||
51 | ||||||
52 | ||||||
53 | ||||||
54 | ||||||
55 | ||||||
56 | ||||||
57 | ||||||
58 | ||||||
59 | ||||||
60 | ||||||
61 | ||||||
62 | ||||||
63 | ||||||
64 | ||||||
65 | ||||||
66 | ||||||
67 | ||||||
68 | ||||||
69 | ||||||
70 | ||||||
71 | ||||||
72 | ||||||
73 | ||||||
74 | ||||||
75 | ||||||
76 | ||||||
77 | ||||||
78 | ||||||
79 | ||||||
80 | ||||||
81 | ||||||
82 | ||||||
83 | ||||||
84 | ||||||
85 | ||||||
86 | ||||||
87 | ||||||
88 | ||||||
89 | ||||||
90 | ||||||
91 | ||||||
92 | ||||||
93 | ||||||
94 | ||||||
95 | ||||||
96 | ||||||
97 | ||||||
98 | ||||||
99 | ||||||
100 |